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Media Consumption Month #2 (September 2018)

Welcome to the second month of my media consumption diary, were I briefly vent about all the media I’ve consumed in the previous month including, films, video games, tv shows, anime and manga. Look for a heading you’re interested in and have fun…

Attack on Titan Season 3:

Attack on Titan Season 3 has continued with its break-neck speed and has already concluded adapting the Uprising Arc, in only 10 episodes. Overall, it was all fine and dandy, nothing made me mad and the Kenny backstory episode, which is the highlight of the arc, was handled appropriately. I’m entirely satisfied by this adaptation and even further impressed with its continued coordination with the manga (See my article of chapter 109 of Attack on Titan for further details on that aspect). Since I am a manga reader there isn’t much for me to speculate about, but I am interested to see how they stretch the following arc across 15 episodes when I think the material is only enough for 8-10 more episodes. We will have to play patient fellas with Attack on Titan Season 3 and you’ll have to wait until next month for an update.

 

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My Hero Academia Season 3:

My Hero Academia Season 3 has concluded, Season 4 is already confirmed, in case anyone somehow was still questioning that fact. Last time I made one of these I wasn’t too high on the boring exam we were in the middle of, but I can proudly state that by the end of the season the show had entirely won me back, largely because of Episode 24. This episode hit every quota for my personal enjoyment of My Hero Academia. It was nearly entirely focus on the villains and character interactions, my two standout wants from My Hero. The opening segment that focused on a mysterious, yet interestingly introspective man was truly entertaining and when later he was revealed to be Twice, gave that character some much needed depth. It engaged me with a forgettable comic relief character and reintroduced him as a tragic introspective villain. The plot further grew in that episode with the introduction of Overhaul, a new villain with a signature look. Now I’m unfamiliar with the manga for My Hero but I have seen these ‘Peak boys’ around the internet and I like their aesthetic, so I’m interested to see his role in things moving forward. However, I’m currently internally debating if I should wait for Season 4 or just go ahead and read the source material.

 

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Steins; Gate 0:

I saw someone literally decapitated in Steins; Gate 0, and asked myself, ‘what the fuck is going on?’ The narrative surrounding Steins; Gate 0 remains unchanged, I believe this is a show unsuitable for weekly consumption and binge watching it is the only way to properly understand the series. But I’ll continue to watch as it is Dubbed weekly and then once it is all realised I’ll re-watch it all from the beginning and revaluate my opinions. In the meantime, I would like to further empathise my hatred for Kaguri and uneasy feeling about a superhero decapitating someone in a Steins; Gate related show, it was quite disconnecting from the usually grounded nature of the series.

 

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Vinland Saga:

Vinland Saga continues to impress and has maintained my interest through a drastic genre change. There are no more battles in Vinland Saga, if you came into this series excepting an action series, you haven’t been paying attention and its likely this series will lose you at this point. It seems like the message of Vinland Saga is absolute pacifism. Vinland Saga is seemingly about Thorfinn learning what it means to be a true warrior, meaning laying down you weapons.  This is thematically presented to him by his father and by Askeladd in his recent dream/nightmare adventures, that he’s be having every night but not remembering. It is exposited to him that it’s never ok to strike another human being, by his father and Askeladd presents the horrors of Valhalla to Thorfinn and how he’s managing to escape this hell through his recent lack of murder.

 

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To explain to those uninitiated for the first 50 chapters Vinland Saga is a clearly Berserk inspired manga about the horrific nature of medieval society and war. A scene that cannot stop thinking about, that incapsulates the tonal dark nature of these initial 50 chapters is where the band of Vikings Askeladd leads, and Thorfinn is a part of, is staying in a small village and are running roughshod over the area. And in this commotion, there is a moment of reflection from the typically empathy-less Thorfinn for a young girl who is tied up with her clothes ripped off, clearly about to be raped by his Viking comrades. Now it is important to point out that Thorfinn is only comrades with these people out of hatred and the Askeladd despises all of them, so they aren’t horrible people for surrounding themselves with the people in this situation, they both secretly hate them all. But the effectiveness of this scene is in the implication of what’s happening, and the desperation mixed with acceptance in the girl’s eyes. It’s a hauntingly effective scene that demonstrates the brutality of the world of Vinland Saga and now, the series has become about humble farmers, and SOMEHOW it works incredibly. We have collectively transformed the tone from that to a farming show about the horrors and struggle of slavery and directionless life. I stopped after finishing chapter 72 and can’t wait to see how the story further progresses with the new cool characters like Snake, Einar, Arneis and the old master of the farm. Vinland Saga is great!

 

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Devilman:

My continuation with Devilman has been significantly affected by Vinland Saga, whenever I decide to spend time reading a manga I’ve always opted to read Vinland Saga. I’m still extremely early in the Devilman manga, Akira is still yet to become Devilman. The set-up of the series is much more expositional in the manga, Rio is just dumping plot details on the audience and Akira. In Crybaby I remember just being thrust into a night club, sex party and then suddenly we had ourselves a spooky Devilman. I don’t know which alternative method is better but there’s got to be a happy medium that limits the lazy exposition but doesn’t assault the reader with imagery. I hope to further understand Devilman by the time I return to you next month.

 

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Cowboy Bebop:

I’m still slowly forcing my way through Cowboy Bebop, and it’s your fault… I don’t what to continue, I’m over this episodic boring nonsense, but I have to be able to say I’ve watched it to appease you people. I’m watched up to episode 15, and I still don’t care about these characters, Spike is still uninteresting, and I maintain that his backstory and everything in reference to Vicious should have been left in Episode 5, the only good episode of this series so far. Faye is still the hottest anime bitch I’ve ever seen, but I don’t care about her, Jet is the same and Edward is funny. Episodic shows just remind me that I’m wasting my time watching and I don’t like to have my wastefulness reaffirmed by the media I’m consuming. Tune in next month to see if I have turned around on Cowboy Bebop and maybe had a revelation about this series’ supposed brilliance.

 

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Serial Experiment Lain:

I have a very weird way of consuming new media that makes it impossible for me to form an intelligent opinion on anything during my first viewing. I subconsciously must have known it for a while but now I’m consciously aware of my deficiency. It takes something incredibly straightforward for me to evaluate everything on a first viewing and Serial Experiments Lain is definitively not a straightforward show. So, as I was slowly digesting this show, sort of disinterested, I knew that it would immediately become one of my favourite shows after I’d finished it and reflected on it slightly. I don’t know what it is about me that hates nearly everything on the first time; I’m constantly looking around, not paying attention and secretly hating myself because it feels like I’m stationary in a seat wasting my time. However, re-watching anything is much easier and way more enjoyable to me. I didn’t like the Godfather until I quickly re-watched it a few days later; I didn’t like Evangelion until I thought about it over the following few days. It must be me understanding what I’m getting into before watching the re-watch that puts me at ease and allows me to enjoy the experience, maybe it’s about understanding.

 

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Serial Experiments Lain as insane as it is awesome and I’m in love with it. The aesthetic is an instant giveaway that this show is outwardly interesting, Lain’s character design is near perfection, she’s incredibly cute and endearing and when her appearance is slightly manipulated, her character design is also near perfect as a malicious psychopath. The opening is already downloaded on my phone, what a fitting song, I love that it mocks the audience (intentionally or unintentionally). The first line just rubs in that the abstractness of this show is flying immediately over your head, “And you don’t seem to understand”. The shows ability to understand what would become popular internet culture is astounding. The wired takes over people’s lives and integrates itself into the real world, just as the internet has become another layer of our contemporary world. The VR headset prediction was also impressive and it’s incredible that the show introduces the idea of ‘memes,’ creates a ‘meme’ within the world of the show in, “Let’s all love Lain,” and then for that to become a widespread ‘meme’ in our reality is some legit metatextual shit. This show is fantastic, already one of my favourites and I’m currently going back through it in the Sub because this is going to take a while to fully understand and comprehend.

 

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RahXephon:

RahXephon is one hell of a fun ride, but I don’t know how much RahXephon itself contributes to my interest level. My interest in this show is somewhat predicated on the fact that it is basically a retelling of Neon Genesis Evangelion, and I love to identify the similarities and differences between the two shows and see how RahXephon decides to alter the story idiosyncratically. So, in that statement am I praising RahXephon or Neon Genesis Evangelion? I don’t know, but I am enjoying my time with this show nonetheless; the imagery is fun the symbols are being set-up and I’m fascinated by the characters. The winey elements that are prevalent in Shinji but weren’t as evident in our main character in RahXephon, have started to become apparent in recent episodes. I left off on Episode 5, they introduced all the soldiers outside of Tokyo Jupiter, a neat homage to Tokyo 3. The Pink haired girl seems interesting, Misato’s counterpart seems interesting and may or may not be hooking up with that girl fighter pilot that was introduced, and the mysterious Rei girl is interesting. I like how our main character and our Rei interact differently in this show, they actually talk and relate to each other for a scene or two, nearly immediately, whereas Rei and Shinji took episodes to come to an understanding and then Rei just got reset and we had to start all over again. RahXephon is at the top of my list for things I’m interested in continuing in the coming month.

 

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Vision of Escaflowne:

Sadly, because of my overbearing focus on Serial Experiments Lain for most of the month, and my last-minute fling with RahXephon, I haven’t followed up with anymore Escaflowne. Interestingly enough, last month I was most interested in continuing Escaflowne, but because of the appealing short length of Lain and its overall density, Escaflowne was sadly left on the back burner. I still have every intention of continuing my journey with this show and will hopefully have more for you next month.

Revolutionary Girl Utena:

Unfortunately, Revolutionary Girl Utena has fallen into similar trappings as Vision of Escaflowne, and I have come to you a month later with no progression. The difference is I’m entirely unmotivated to continue Utena, I will because I always force myself to do things, but that first debacle of a Dubbed Episode 1 fucked me up. I have at least some faith that the show will increase in quality going forward and that the Sub will pick up the slack of that nightmarish Dubbing job I was exposed to.

B Geta H Kei:

The show is among the greatest pieces of art ever created. It’s so endearing and so sweet but it’s all wrapped in a hilarious sexual outer layer. Yamada is the best female character in amine, she’s clearly written by a writers-room of men projecting their fantasy perfect female personality onto the attractive anime girl, but that’s entirely what their target audience wants so it works perfectly. The conceit of the series is fantastic, a girl with the goal of sleeping with 100 high school boys over her high school career, but by the end wasn’t even gone all the way with a single dude but, has instead fallen for one dude. The only negative here is that Cosuda is a boring audience surrogate who could have been much more interesting or dynamic. But the endearing ending is entirely satisfying to the audience even though she has entirely failed on her initial goal, because in the end it wasn’t about the destination, it’s about the journey.

 

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But last time I talked about the sensation of ‘forgotten nostalgia’ and how it related to my experience with this show immensely. This was true for the entire re-watch, up until the end I had an overwhelming nostalgic experience that has definitely clouded my judgement when it comes to this series. I would like to delve deeper into this nostalgic overwhelming experience and this show at a later date and leave you with these thoughts for now… It’s fantastic.

Final Fantasy 2: (PS1)

My struggle with Final Fantasy 2 is finally over with. It was a lengthy journey of constant starts and stops but finally I’ve conquered the JRPG behemoth. It took me 29 recorded hours to beat the main story of Final Fantasy 2, (I wouldn’t dare attempt a 100% run) and likely 40+ actual hours, because in this game dying means your kicked back to menu and all your unsaved progress is gone and not recorded in the timer. I took a massive break throughout this playthrough, I’m talking months between sessions and by the end I was dying for it to be over. I did a very similar thing when I played through Final Fantasy 1 and wonder if this will be a reoccurring theme as I delve into longer JRPG experiences as we progress through this series. I found the infamous levelling system of this game very hit and miss, I think that’s the common consensus. In reality it ended up working similarly enough to a normal levelling system, that it didn’t bother me enough to widely detract from the experience. The villain was much cooler in Final Fantasy 2, taking over hell is pretty cool, then coming back to Earth more powerful to fuck over the people that sent you there, is cooler and that’s what the Emperor does in this game. That being said, I think I will more fondly look back upon my experience with the first Final Fantasy. I don’t regret my time spent with this game but it’s certainly not an experience I would lookback upon with thirst. But the workload never ends and now it’s time to move forward to Final Fantasy 3, exclusively for the Nintendo DS! (YAY)

 

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Final Fantasy 3:

I’ve played literally 5 minutes of Final Fantasy 3. All I can tell you is the art style is already annoying me and I will have more for you next month.

Octopath Traveller:

Last time we spoke I had barely started Octopath Traveller, but now that I have put a few more hours into the game I’m enjoying myself and have become quite engaged in the experience. I mentioned last time that I choose Therion as my first path, but in my opinion, it took far too long, nearly a full hour of gameplay, to enter any combat. The story writing in this game so far is entirely uninteresting, so this long stretch without any gameplay was boring me to death. The same issue interfered with the pacing and my enjoyment later when I had to sit through H’aanit’s storyline. However, I loved the non-linearity of the game; I could have gone north or south after completing chapter 1 of Therion’s story and visited any of the other characters. Both the dry mountain and lush forest area’s I’ve journeyed through so far, have been dynamic and interesting, but I’m thirsting for a proper dungeon. Additionally, Therion levelled up 10 levels from one battle when I effortlessly killed a supposedly high-level enemy, all while I was barely paying attention; that was cool. I will report back in a month with hopefully quite a bit more progression and with a lot more to talk about.

 

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NJPW Destruction Tour:

There wasn’t anything that catered to my specific interests on this tour, the Tomohiro Ishii vs Kenny Omega match was quite predictable, even if I hoped beyond hope that he would win, I and everyone else knew the outcome of this match. Naito vs Suzuki has been done to death at this point, and the final night didn’t get interesting until after the main event was over. I had no stakes in the Okada vs Tanahashi match, my interest level in them is equal, so I watched this match half paying attention and without a horse in the race. But the most important talking point retrospectively from this tour is the big Jay White and Gedo turn on Okada after the Okada vs Tanahashi match. It was a brilliant swerve that I was kicking myself for not seeing coming. New Japan isn’t fucking around when it comes to Jay White, he’s young, has the character and charisma to carry a main event program and so I’m eagerly anticipating the direction they go with him and Gedo moving into Wrestle Kingdom 13 and beyond.

 

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Hell in a Cell 2018:

Boring! I liked absolutely nothing on this show besides the result in the SmackDown Woman’s Championship match. Becky Lynch won the championship just like I told you she would last month, because after all only heels are successful in WWE contemporaneously. Besides that, I have no understanding of why the praise for this show has been so universal. Ronda Rousey sold for Alexa Bliss for 10 minutes for some reason. Fuck the tag title match, I will never care about Dolph Ziggler again, you’ve burnt that bridge WWE, and Seth Rollins and Dean Ambrose are currently uninteresting and directionless. The only wrestler I care about in this match is Drew McIntyre. Why was the main event of this show McIntyre against Reigns? Both Hell in a Cell matches was forgettable and drawn-out bore fests. AJ and Joe had another disappointing match, AJ’s 20th disappointing match of the year, and their feud was unnecessarily propagated by a finish that made both look like morons. And I didn’t even pay attention to the mix tag match, give me a fucking break.

 

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Mae Young Classic 2:

I’m liking the second annual Mae Young Classic a whole lot. I don’t like Rhea Ripley’s new gimmick, she’s a national relative of mine coming from Australia, but her persona feels like she’s playing the bad guy. She can’t quite sell the authenticity of her character and that’s largely the issue with everybody in this tournament, with only one standout exception. Even the other home-country girl Toni Storm is overly goofy and a bit cringy in her interviews, it still seems like she’s playing an unconvincing character she doesn’t quite believe in. But Io Shari is the obvious aforementioned notable exception. She looked like the superstar she absolutely is in her first-round match with Xia Brookside, who also has the makings of a superstar. She demonstrated in this solitary match that she and Sasha deserve to Main Event WrestleMania before Ronda and Charlotte even begin to sniff it. Io Shari is one of the greatest wrestlers in the world and her intensity and charisma were on display in this match. I can’t wait to see her other matches in this tournament. Other names that stood out and impressed me, were Xia Brookside, who I already went over, and Killer Kelly who I’m interested to see develop on the NXT UK brand. I thought she excelled in her first-round match. I’ve spoiled myself on both the Mae Young Classic finals and the inaugural United Kingdom Woman’s championship tournament, and I’m exceedingly happy for my Australian girls and feel deeply sorry the main roster girls that are going to have to compete with the finals of this tournament on the Evolution card, because that final is going to be outstanding.

 

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Pokémon Emerald:

I peered over to my DS Lite and saw the cartridge of a threequarters-completed Pokémon Emerald game and then suddenly I was playing it again. I have long pronounced this game (and gen 3) as my favourite in the Pokémon series, with secretly never having actually completed a playthrough of Pokémon Emerald, only having completed playthroughs of Ruby and Sapphire. So, it was in my ideological best interest to finally finish this game of this save file I started sometime earlier this year. And let me say I’m the greatest Pokémon team creator of all time because this team is fun as fuck. Sceptile, Claydol, Camerupt, Crawdaunt, Exploud and Armaldo is fucking menacing team and every time I open up my party in the menu screen I’m rewarded with a glimpse of a satisfying group of captivating monsters ready to fuck shit up. While I was traversing the back half of this game I was reminded that I’m absolutely correct and these are the standout games in the franchise. The unique ways that water routes are crafted in this game is insane, it justifiably has the best water environments in any Pokémon game. The pulling currents puzzle, the diving puzzles, the waterfall inclusions and the variation in scenery with the rocks in certain areas, these are all elements integrated satisfyingly into this game. This game is the best what else can I say.

 

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Pokémon Colosseum:

I got an itch and found myself for the 5th or 6th time, playing through Pokémon Colosseum, and after I finish it I’m planning on revisiting its sequel: Pokémon XD: Gale of Darkness, for the 5th or 6th time. I’m continuously drawn back to these games, I get an itch every few months to go back to them; at this point they’re easily the Pokémon games I’ve played through the most time. To be fair they are also the shortest traditional Pokémon adventures and therefore 5 or 6 playthroughs of them isn’t as impressive as it may sound. Very superficial elements can draw me to any piece of media and the two superficial elements I can identify about these particular games, that keep drawing me back are, the battle interface’s aesthetic and having a team of large scale monsters rendered and realised in 3D console glory. I love both these aspects about both these games and it’s the reason I come back to them constantly, I’ll just think of having Aggron and Tyranitar back to back on my side of the battle, while traversing a sleek and smooth battle UI.

 

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Attack on Titan… Underrated? (Manga Spoilers!)

Attack on Titan has achieved astronomical success since it 2013 anime adaptation, so the claim that it is somehow underrated would seem dismissible but, I believe Attack on Titan is not given the recognition for its best elements. Attack on Titan is at its core a mystery series, disguised as a flesh-mech action, political thriller. The mystery elements and the nuance in its execution and the thoroughness of the authors attention to detail isn’t discussed as prevalently as it should be. Hajime Isayama has laid this story out phenomenally, I am constantly caught off guard by the call backs and intricate details that I only notice as a hardcore fan. The real strengths of the show go unrecognised and the not so great parts are overblown and overrate the show, because people are hyped up idiots.

 

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Attack on Titan is widely praised for elements like frequent deaths and heart-stopping action, but what it truly excels at is its set-up, mystery, call-backs and subversion of reveals. For instance: that random girl that Mikasa saves in episode 6 that was animated in 2013 and written even further back than that was reintroduced into the story last month (September 2018). That’s insane and the pay-off for me, someone who pays this series my absolute attention, was enormous, I was rewarded for my nearly obsessive interest in the series and shows that Isayama cares about his audience’s intelligence. There are countless other examples of definitive background characters that are reintroduced and given incredibly important roles. Historia is the most obvious example, a character that was virtually non-existent in Season 1 but is now a focal main character in Season 3. That random girl that Sasha saves from Connie fathers titan (another idiosyncratic recently revealed piece of information) is now a fully-fledge important character contemporarily in the manga. This coordination requires insane forethought and careful planning on Isayama’s part.

 

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Isayama’s ability to reference his most early material and reward his audience’s attention is only personified further with the handling of the reveals. Attack on Titan has no dramatic reveals, intentionally. Instead of bombastic expositional dumps, Isayama (usually) subtly drip-feeds information to his audience and allows them to slowly put it together. By the time Annie is revealed as the Female Titan, the audience likely has already connected the dots, the same for the Armoured and Colossal Titan. The subtle reveal that they were indeed the shifters was communicated through the background, its simple juxtaposition but also fits the thematic elements of Isayama’s leading strategies. Even the reveal in the basement was assumed by most fans before the big reveal; the Beast Titan was making references to baseball calls and Reiner and Berthold had to come from some other community, but these reveals are always satisfying. Isayama isn’t insulting his audience so the ‘grand’ reveals feel like natural extension of the story he’s crafted.

 

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These lesser praised aspects of Attack on Titan are what’s underrated by the wider community, while the less impressive elements are overpraised because people are stupid and don’t delve past the window dressing. Ultimately, I hope to see wider discussion about the truly impressive elements of Isayama’s mystery writing and call-back rather than the anime’s action. That’s why Attack on Titan is underrated.

 

 

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Why is Kissanime a Better Service than All the Legal Anime Streaming Platforms

The obvious answer to the titular question is that Kissanime has literally every anime I’ve ever been interested in watching within its catalogue, and more importantly it’s entirely free. But these elements aren’t the ones I want to highlight here, rather I want to highlight what Kissanime does that should be easy for alternatives like Chrunchyroll and Funimation to implement, but for some reason don’t. These complaints will be reasonable and available to fix for these pre-existing platforms. Obviously, they can’t give free access and have the ultimate anime selection like Kissanime, due to pesky streaming rights. Disclaimer before we delve to deep; fuck the anime industry, in fact fuck every industry in existence, I don’t want to hear your preachy narrative about supporting the industry because you heard some bought and paid for pundit’s talking points. You shouldn’t feel obliged to support any industry ever, but only creators you respect and are willing to compensate for their work. If they can’t supply a way for us to compensate them reasonably the fuck em, sometimes the baby has to go out with the bathwater.

 

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There are two main aspects that Kissanime’s website excels at, far better than the paying alternatives do, the simplistic layout of the site and the ease of use of its various video players. Every anime is easily accessible on Kissanime because the search feature actually works, and the interface is effective. There is a random button, a list of recently realised shows and a most popular list, all immediately available on the home page. Additionally, you can hoover over the title of an anime you’re interested in and a display image pops up as well as a brief description. Then if you click on the anime you are taken directly to the page that has all the episodes listed. This is different to the alternatives because there is no exasperated bullshit. You don’t have to jump through hopes or transverse over-designed interfaces, it just works simply and effectively. YouTube clearly has the best video player in existence but the terrible video player on the legal anime websites make Kissanime’s look like YouTube’s. Funimation’s video player constantly fucks itself and then when you refresh its fucked all over again and you have to sit through further adds. When I had the choice between binging My Hero Academia for free when it was available on both Funimation and Kissanime, I tried desperately to watch it legally, but it kept fucking me repeatedly and it wasn’t worth it, so I had to switch to the superior alternative.

 

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These platforms are unacceptably bad at existing and it’s shameful when a dodgy site run on Russian servers can put forward a more user-friendly experience when compared to you. At least when anime fans had to buy physical media it was all easily available from the disc and I didn’t have to get repeatedly fucked…

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Puck Became a Joke and That’s Fine

Puck never lost his importance to the story of Berserk. Everyone is mad at Miura because he supposedly ruined Puck by giving him the comedic relief hat to wear following Conviction. This viewpoint is flawed for two reasons; Puck was always comedic relief and is still important to the plot, he just isn’t being focused upon or developed contemporarily. I’m sure Miura will develop Puck more in the future. His role has become increasingly comically related as of late, but he still has serious moments and observations from time to time. He was focused upon plenty in the Black Swordsmen and Conviction arcs because he was Guts’ only travelling companion, but in the arcs since them Miura has spent establishing the 30+ other characters that were important to the story. From Farnese to Mule and from Zodd to Silat. Puck became a joke and that’s fine because it’s funny and it’s temporary.

 

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Puck in the Black Swordsmen arc served as our guide to this brand new and equally confusing and dark world. Puck was a newcomer to Guts and the world of Berserk just like us, he was a great parallel to the viewer and served as prime juxtaposition to Guts while he was at his worst. Puck served a seminal narrative reason in those early Berserk chapters and his sympathy for Vargas and disdain for Guts’ unruly behaviour endeared him to us. In the Lost Children chapters Puck further was endeared to the audience and eventually after he and Guts acknowledged each other as mutual, worthy travelling companions, and embraced others like Farnese, Serpico, Isidro and Schierke, those characters took the spotlight. Puck was just along for the ride. So, Miura, to keep Puck around as a relevant character, created the “Chestnut Puck” persona.

 

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But the criticism for Chestnut Puck further doesn’t make sense because Chestnut Puck is (objectively): best Puck. He’s hilarious, his chemistry with Isidro and Ivalera are off the charts and watching them interact gives me the finest of joys in my terrible existence. Additionally, his gimmick of believing the story revolves around him, along with the scenario of him and Magnifico trying to overthrow the Elfhelm system was also hilarious. So, don’t shit talk Chestnut Puck, he’s fucking great and in the future Miura will give him serious moments and make you the happiest boys in all the land. Puck’s a funny boy, leave him alone…

 

 

 

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Black Lagoon is Cooler than Cowboy Bebop

“Cowboy Bebop is fucking boring;” is how I described Cowboy Bebop in my media consumption monthly retrospective for august (that you can find in the header menu). I believe that description maintains its accuracy. Black Lagoon is an easy comparison to Cowboy Bebop, both have crews of four, Jet and Dutch are clear parallels and Edward and Benny fit the same purpose, Rock doesn’t have a parallel and Revy is a combination of what Spike and Faye wish they were. Revy might be the greatest anime character of all time (I didn’t stutter), she definitely wins the award for the greatest Dub performance in anime history, at least. She is a character often slept on because Black Lagoon is often slept on as a fun and exciting action show, when in reality it’s so much more. But that isn’t what we are here to quantify today, I said Black Lagoon is cooler than Cowboy Bebop.

 

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Cowboy Bebop is cowardly, there’s not nearly enough fucks in the show for it to be as cool as Black Lagoon. FYI I’m talking about the Dubs for both these shows because they are all that matter in this case. Black Lagoon’s Dub is better than Cowboy Bebops specifically because of the swearing. There ain’t no pussy shit in Black Lagoon; Revy literally tells a mobster that his breathe smells like he’s being sucking cock, in those exact words! Not only is the dialogue better and cooler in Black Lagoon but the characters are better, and the weight they carry is weighs more. Revy is a better character than anyone in Cowboy Bebop including Spike. I think Spike’s pretty fucking lame, he isn’t as funny as Revy, he isn’t more relatable than Revy, Revy’s more of a bad motherfucker than Spike, and she’s got Faye’s sex appeal to boot. Objectively this is true…

 

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Obviously, some of this script is written in jest, but I stand by the clickbait in the title and am underwhelmed by the overall praise for my favourite anime, Black Lagoon. Ultimately, I hope those of you reading this who haven’t immediately weaponised against me for shitting on Cowboy Bebop, will re-watch Black Lagoon or watch it for the first time if you haven’t seen it before, in the Dub of course, and appreciate the expert dialogue and scripting for a translated artwork. This is the best anime dialogue has ever sounded and is the best it’ll likely ever sound, so please, praise it like it deserves.

 

 

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The Black Swordsmen Arc is Critical to the Overall Structure of Early Berserk

The first eight chapters of Berserk featured in Volumes 1-3 have become known as the Black Swordsman arc. This opening arc of the series has come to be undervalued largely by the wider Berserk community. It has largely been ignored by all anime studios in their adaptations and its importance to the structure of Berserk is also commonly undervalued. This is massive mistake on all anime adaptations of Berserk. The Black Swordsman arc is seminal to the overall structure of early Berserk (Black Swordsman and Golden Age) and the arc is designed to be shown entirely and then be followed up by the Golden Age, which should be presented as a prologue.

 

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The Black Swordsman arc is an introduction to the world of Berserk, therein introducing the tone, characters, themes and imagery present in the main timeline of Berserk. This is necessary because it is seminal in that the Golden Age is presented as the tonal outlier of the series. The movies entirely present the Golden Age without the necessary juxtaposition which undermines the intention of the original manga. Everything from the characters to the tone to the overall world is juxtaposed between the Black Swordsman period and the Golden Age. Pippin, Judeau and Corkus have virtually nothing in common with Vargas, Theresia, Puck and The Count, those unfamiliar with Berserk may even initially believe they are from different stories entirely. The worlds are completely contradictory, one has monstrous demonic evils seemingly around every corner and the other is one of traditional medieval fiction, with Kings, Knights and Princesses and no magic or monsters anywhere. This instils in the viewer an unwavering intrigue making them wonder how we go from a normal medieval setting to one of dark fantasy, something terrible must happen?

 

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Thematically there is also an essential justification for the series to be structured with the Black Swordsman arc preceding the flashback to the Golden Age, because a central theme of Berserk surrounds fate. Whether it’s called fate or causality that is what Guts is truly fighting against, this is visually represented from the beginning with the brand on his neck and how he struggles against the will of fate. Additionally, the entire cast of the Golden Age arc is fighting against fate, the audience is positioned in the same way they are. We know that due to the absence of Judeau, Pippin, Corkus and the other members of the Band of the Hawk, that they will likely die before the flashback concludes, but still the audience wills against fate, we don’t want these characters to die but secretly we know it is unavoidable. Technically the audience somewhat wins their fight against fate through the unlikely survival of Casca and Rickert, many likely assumed they would also perish. This highlights Berserk’s most important thematic element hope. Casca and Rickert struggle to survive and in their survival the audience is rewarded with maintaining them in the story. There is hope in the world of Berserk.

 

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Ultimately, the Black Swordsman arc is necessary in any adaptation or read-through of Berserk to truly get the clearest picture. Muira wasn’t dicking around when he wrote these opening eight chapters and it grates on me that they are continuously overlooked and downplayed by would-be adapters and some in the Berserk fandom.

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Naruto’s Fascinating Hierarchical Structure

Everything in Naruto works on a fascinating hierarchical structure of squads; one sensei and three pupils; two boys and a girl. These squads or teams are always made of three predominant personalities; a hyperactive male ninja (Naruto, Kiba, Kakuro, Jiraiya, Obito etc.), a driven strictly business male ninja (Sasuke, Shino, Gaara, Orochimaru, Kakashi etc.) and a usually useless, annoying female character (Sakura, Ino, Tsunade, Rin etc.). This is the core of Naruto’s structure and its fascinating how many different characters are created through this strategy. Additionally, this allows for a narrative through line between all generations of ninja in the Naruto universe. You can fascinatingly follow the learning tree up the ladder from teacher to pupil to teacher’s son to pupil’s son.

 

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In my opinion the most fascinating aspect of Naruto is whenever a flashback is enabled by Kishimoto. Naruto would be so much more interesting if Naruto was irrelevant and we focused on literally any other era in the history of Naruto’s lore. Naruto and Sasuke suck in comparison to Orochimaru and Jiraiya or Kakashi and Obito. But the fascinating core to every is the linage and how certain squads functioned and interacted with these other established personalities. How did Orochimaru interact with Jiraiya before the split, how did Minato interact with Orochimaru, how did Itachi interact with Jiraiya before the both left the village. All these interesting characters would have all lived in the Hidden Leaf Village before the start of Naruto and it’s so much more interesting than whatever-the-fuck is going on in the contemporaneous Naruto plot. Naruto’s fascinating Hierarchical structure with the squad system is genius and makes Naruto’s kayfabe past so much more interesting and easy to understand.