My Top 10 Favourite Characters of All Time

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This list serves as a list of my Top 10 Favourite Characters of All Time, wherein I recount my favourite characters throughout fiction, but this video also functions as an experiment I’d like to play out over the coming years here on the channel. Every year in January I would like to remake this list and compare how the placement of certain characters change over time, and as new characters are introduced. With that being said let’s start the list:

  1. Edda (Black Lagoon)

One of my favourite moments in Black Lagoon is the scene at the end of the Greenback Jane arc, were the cowboy from America figures out the Edda is a secret informant for the CIA. This reveal, is the closer of an already great arc for characterisation of Edda gives her additional depth, and this additional depth, gives Edda enough depth and interested to grant her a spot on this list. Edda CIA status then plays perfectly into Rock’s character arc and the progression of the story in Roberta’s Blood Trail. Rock spends an episode trying to uncover the person truly in control of Roanapur and decides that someone important would be paying him a visit very soon, only for Edda to show up ad with a little dramatic irony, the audience realises that she is the one how controls Roanapur. She’s the only character in Roberta’s Blood Trail that keeps her cool and fixes the situation; Revy is pissed because the young maid is living her dream, Rock is pissed at Mr Chang, Roberta is so pissed she loses her mind, Dutch is pissed at Rock, and Balalaika is so incredibly pissed at the world and the way she’s been treated since the war, that she threatens America. Edda is the only reason both the Americans and Roberta leave Roanapur, saving the city from absolute collapse. Another standout scene is when she cucks Roberta in the aeroplane, and we finally see her in full CIA apparel, blue eyes out and everything. Edda is nearly as underrated as the show she inhabits and in the latter half of the series proves her effectiveness as a character.

  1. Askeladd (Vinland Saga)

Askeladd is the standout character of Vinland Saga. Thorfinn, though I do value his ties to the thematic undertones of the series and his unwavering pacifism, is a little too boring contemporarily to have a slot on this list (though he still made the honourable mentions list). Askeladd has that intelligent nihilistic endearment that Thorfinn lacks, he’s cynical and wise and always steps ahead of everyone else, including the audience. Askeladd upon introduction is presented as Thorfinn’s ultimate obstacle, the last step in Thorfinn’s journey of revenge. As the prologue progresses the audience begins to suspect something deeper is going on with Askeladd and it is eventually revealed through the groups pursuit by Thorkell that Askeladd is from Wales and his true goal is to protect his mother’s homeland, and that he intends to achieve this by installing Canute as King. His hatred for his comrades and the Viking way of life, through his backstory about his mother, adds that necessarily depth to rank on this list. The reveal that he hates everything we, as the audience, once believed he entirely represented is a great subversion. Askeladd’s strength as a character is displayed in my favourite scenes of Vinland Saga. The scene where he and Thorfinn find themselves both detached from the group, unknowingly both mutually disgusted by their peers, is one of my favourites. Askeladd and Thorfinn discuss how war has laid waste to the area they are standing on, with Askeladd pointing out the remains of monuments from the Roman Empire that were know irrelevant. This is one of the scenes were Askeladd is giving advice to Thorfinn warning him that he’s better than war and better than revenge but it doesn’t resonate with that Thorfinn, and later in another standout scene when the two clash for the final time, Askeladd finally shows some disappointment in Thorfinn for not understanding what he and his father were trying to instil in him. Luckily, eventually Thorfinn would learn these lessons.

But Askeladd is who placed number 9 on this list not Thorfinn, and I would be remise when talking about Askeladd if we didn’t mention chapter 54. Spoilers for Vinland Saga ahead. (Skip to number 8 if you haven’t seen Vinland Saga and wish to avoid massive spoilers) Askeladd’s final stand is one of the best I have ever seen. He singlehandedly stops the invasion of Wales, kills the King and grants Canute the perfect opportunity and scenario to claim the crown for himself, and sub-textually the impact this has on Thorfinn’s character is even greater than everything I just mentioned. It’s truly griping to watch chapter 54 unfold for the first time, I couldn’t believe everything was resolved so perfectly, every plotline was resolved in this action by Askeladd, when I’m sure many in the audience weren’t expecting this to be the conclusion of the prologue. Thorfinn has everything he thought he wanted taken from him, Canute truly came of age, the wars were over and Askeladd’s story was resolved. Askeladd wasn’t around in the grand scheme of Vinland Saga very much but his impact is undeniable.

  1. Naito Tetsuya (New Japan Pro Wrestling)

If this list was going to be as true to myself as possible, professional wrestling would need some representation and I thought about Stone Cold Steve Austin and I thought about The Rock, but I came down to two options; the woman that inspired me to take this path or the most captivating character in the history of wrestling. Tetsuya Naito was introduced to me by Showbuckle, the man responsible for my investment in New Japan Pro Wrestling entirely. His video “The Fall and Rise of Tetsuya Naito,” was the first taste of New Japan Pro Wrestling ever, sure I’d heard the name Kenny Omega and Okada, but this was my first visual connection to New Japan and afterwards I never looked back. A lot of people’s first New Japan event was Wrestle Kingdom 12, but most tuned in for the return of Chris Jericho, when I was completely drawn in because Naito vs Okada was the main event and it seemed destined for this to be Naito’s biggest victory. Naito’s gimmick is that he doesn’t give a fuck about anything, he’s tranquilo, whenever in a big match he loses his cool he either losses or snaps back into his absolute calmness. Watching the subtle storytelling of Naito using his old moves and losing matches like at Wrestle Kingdom 12, when 30 thousand fans specifically bought tickets to watch him finally get his moment by defeating Kazuckica Okada in the main event of the biggest show of the year, only for Naito to slip back into the Stardust Genius for a second and then lose the match he seemed destined to win, was the pinnacle of Pro Wrestling storytelling. Naito has the most charisma that I’ve seen in a wrestler since Austin and Rock in the early 2000s, and the value of that and the appeal of that cannot be understated.

  1. Annie (Attack on Titan)

Annie is the outlier pick on this list because she isn’t as well developed or even as focused on as the other characters on this list, but she does hold personal value to me. Hell, any isn’t even critically the best character in Attack on Titan, Levi, Kenny, Erwin, Geisha and Kruger are all more effective, but Annie is special to me because she has been my favourite character since I initially watched Attack on Titan. Like a lot of people, Attack on Titan was my gateway anime, sure I’d watched shows like Dragon Ball, Pokémon and Yu-Gi-Oh previously but Attack on Titan was the first anime I watched consciously. I sympathised with Annie because she seemed so alone at the end of Season 1, her flashback with her father who’s relentlessly apologising for putting her in this position won her over to me. Maybe this was all propped up by my twelve-year-old attraction to her, but nonetheless her character does have some depth and the community universally awaits her return, while Isayama continues to tease us without compassion.

  1. Farnese (Berserk)

Farnese may be the character with the most development in all of Berserk. She has been continuously focused upon in every arc since her introduction in Conviction. In Conviction she’s initially introduced and is inspired by Guts to throw away her fundamentalist religious beliefs and follow him to find a real purpose in life. In the Millennium Flacon arc she wrestles with her feelings of worthlessness as she tries to fill the void in her heart since she removed God from her life. She finds herself sacrificing her freedom to try and prove her self-worth by agreeing to marry Rodrick in return for a boat for the group, only for the group to prove to her that she is valued by coming back to rescue her as everything goes to shit in Virtannis. Contemporarily in Fantasia she is coming into her own as a Witch and coming to terms with her relationship with both Guts and Casca. The most exciting aspect of Farnese may still be in her future as in the coming chapter we will see how her jealousy towards Casca regarding Guts’ affection is forced to the surface. Hopefully she realises that Rodrick is a great catch and she moves forward with him. Farnese has developed so much throughout the story that original Farnese as we were initially introduced to her would kill current Farnese if they meant, that’s outstanding development. From vile, repressed witch hunter to valued comrade and friend, Farnese is a fantastic character to watch grow, and in any normal series would undeniably be best girl.

  1. Casca (Berserk)

Casca is the very best character Berserk has to offer and what’s most impressive is that she was only really active for a single arc. Her character development through her blossoming relationship with Guts endeared her to me more than all of Farnese’s technically proficient development. Casca supportiveness in her and Guts’ sex scene, endeared her fundamentally as a kind and understanding life partner for our main boy Guts. Her acceptance of Guts after he shares his most personal and depressing experiences is heart-warming and their togetherness in that moment makes them a joy to watch together. Not only that but her portrayal as a layered and relatable person through her extremely complex relationship with Guts and Griffith make her stand out amongst the sea of fantastic Berserk characters. But my favourability of Casca was made evident early in 2018 when she finally returned to us. The emotion I felt to finally have a walking, talking Casca back was unparalleled in a story, I had never felt as much emotion towards a character or a story as I did towards Casca and Berserk in that moment. Going through the heartbreak of the Eclipse and the insuring journey was all made worth it by journeys end. Casca is the only character on this list I’ve cried over and that must count for something. Most interestingly is that Casca has a lot of development ahead of her, in the coming chapters we will see where she will lead us and the overall narrative of Berserk, personally I’m hoping to see her go through a ruthless Black Swordsman period…

  1. Revy (Black Lagoon)

There is no anime character more entertaining to watch or more interesting to listen to than Revy from the greatest anime of all time, Black Lagoon. Here we are exclusively talking about the far superior version of Revy in the English Dub of Black Lagoon, her dialogue and the re-written script for this show is the driving force behind her characters success. Revy unlike any other anime character is not only hilarious and fun to watch but has some legitimate depth and subtextual motivation. Her hilarity and the overall fantastic writing of the series is highlighted by her chemistry with Edda as mentioned at the beginning of the list and in her other fun interactions with the mercenary she affectionately refers to as Chinglish and the stoned Irish drive, among others. But a criminally underrated aspect of Revy as a character is her depth, particularly in her relationship with Rock. Their relationship is the driving force behind everything that happens in Black Lagoon. To boil it down to the simplest elements, Rock to Revy represents her hopes for a normal life, were she wasn’t molested and beat as a child and she can have a peaceful life in a city like Tokyo. Initially the reminder that this life is possible irritates Revy and that’s were their drama early in the series comes from. But unknowingly this antagonism towards Rock in the early stages makes him more accustomed to her way of living and his normal side slowly slips away until Roberta’s Blood Trail where it is completely gone, Rock has become just as fucked as Revy. But the true depth with Revy comes from all throughout the series as she struggles to protect Rock from the darkness ignoring that he, himself wants to dive headfirst into it and that he even enjoys it. When this subtle storyline briefly bubbles to the top it produces some of the greatest scenes in the show, including the scene where Balalaika nearly kills Rock, both his transformation is on display here as well as a line from Balalaika where she mentions to Revy that she doesn’t know what she sees in Rock. Another similar scene occurs between Revy and the mini maid in Roberta’s Blood Trail. Revy is just such a great character and easily my favourite in all of Japanese media.

  1. Tywin Lannister (Game of Thrones)

Tywin Lannister is the ultimate hypocrite, but it’s so enthralling to watch his hypocrisy at work. Charles Dance puts on the standout performance in a great cast, when you consider his competition are some of the elite actors like Peter Dinklage, Diana Rigg and Lena Heady, that’s saying a lot. Tywin as a character was lucky enough to have only existed during the highlight period of Game of Throne’s run, he was introduced in season one in an incredibly introductory scene with Jamie and then died in the finale of season 4 with a great death scene with Tyrion. Tywin was killed before the terrible writing of seasons 5,6 and 7 ruined the fundamental aspects of the show. Recounting his greatest moments is a difficult task, any scene wherein he interacts with one of his children is always captivating, it’s interesting to see how his relationship between the three of them differs; he’s more lenient with Jamie, harsher with Tyrion and pettier with Cersei. Tywin’s scenes with Joffrey are legendary and Tywin is the only character with the balls and the power to tell Joffrey to fuck off consistency. His scenes with Arya have an unrivalled tension and atmosphere and watching them subtly insult and endear themselves to each other was a weirdly great dynamic. There’s countless more like his dick measuring contests with Lady Olenna, but the Shakespearian performance from Charles Dance personifies what the patriarch of the Lannister family should have been.

  1. Tony Soprano (The Sopranos)

Tony Soprano is the deepest and most layered character I’ve ever encountered. The Sopranos total runtime, all seasons included, numbers over 70+ hours, and nearly all of that is an exploration of a single enthralling character. To not only carry this enormous amount of TV time but also create the greatest and most influential television show of all time, is a clear testament to the impact and effectiveness of Tony Soprano. Tony is a depressed mob boss with internal struggles and moral quandaries in both his families, and watching him deal with his divorce, deal with coming to turns with the betrayal of one of his closest friends, deal with his sons attempted suicide, deal with having to run for his life are all wholly engrossing. Plus, the exploration of his psychology is equally as fascinating. One of the most prevalent elements of the Sopranos is Tony’s therapy sessions and his elaborate meta dream sequences. These add so much depth to Tony and are how we come to understand his violent tendencies and problems with authority, throughout the series. This is all enhanced by the writing and dialogue in the show, the dialogue is grounded and realistic, we hear Tony grunt and gasp for air as he talks, we her him misspeak and get interrupted. Tony is so engrossing as a character sometimes it’s hard to tell that you’re not watching a walking, talking human being, because of the sheer amount of depth here. If I were to mention my favourite Tony Sopranos scenes we would just list every scene in the entire show, because there isn’t a bad one. The standout scene I think of when thinking about Tony are all unimportant scene to the overall plot but integral to Tony as a character. Like the scene where he tells Jackie Jr that Richie was a rat, I love the way he tells him to sit the fuck down or when he blows up in a Melfei session about Janice and rants about how she not entitled to anything because he has the scares from the years she left him alone with their mother when they were younger. Ultimately, Tony Soprano may be the greatest character in fiction, but he’s outclassed by one character on my favourites list.

  1. Junior Soprano (The Sopranos)

If Tony Soprano isn’t number 1 on this list then who could possibly top his entertainment factor and overall depth, non-other than his uncle Junior Soprano. Junior has depth, he’s not as explored as Tony, he isn’t the lead after all, in fact he’s the old out of touch grandfather antagonist in the first season. While the acting and dialogue for Junior in season one is exceptional, the depth and love for this character that I have I drawn from his antics in the following seasons. Simply: there is no character more fun to watch in fiction, to me, than Corrado ‘Junior’ Soprano. His scenes with Bobby are comedic genius, his trial antics and interactions with his lawyer are amazing, his battle with cancer and dementia just add to the overall package here. But the most interesting aspect of Junior’s character is that he is the exception of the mafia rule, he rides off into the sunset, being allowed to grow senile and die peacefully having avoided sickness, jail, death and the demons from his past. All things he’s faced with through the series; Tony was going to kill him at the end of season one, the feds couldn’t get to him, he beat cancer and because of his forgetfulness all the horrible things he did in the past have been forgotten. If Tony did indeed die at the end of the series, which is debatable, then Junior would be the only character to seemingly have a happy ending in the entire show. I urge you to seek out both his funniest and most emotionally impactful scenes and watch or rewatch them. The scenes with Mikey in Season 1 are hilarious particularly the ‘we aren’t making a western here’ scene, but the scene where he sings Core N’ Grato after Jackie Jr’s funeral is impeccable, the crying mobsters and the powerful song create an unforgettable scene. The scene where he is talking to Tony about having plenty he’d like to forget heartbreaking, especially when he doesn’t realise the irony. There’s not only extreme depth with Tony in this show but in nearly all the characters especially Junior Soprano, my favourite character of all time.

 

 

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My Top 10 Favourite TV Shows of All Time

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This list serves as a list of my Top 10 Favourite TV Shows of All Time, wherein I recount my favourite tv shows, but this video also functions as an experiment I’d like to play out over the coming years here on the channel. Every year in January I would like to remake this list and compare how the list changes over time. Particularly in this list you will notice the overbearing amount of anime, by this time next year I hope to have watched more classic western television. With that being said let’s start the list:

  1. Game of Thrones

Game of Thrones would undeniably be in the Top 3 of this list if there were only 4 seasons of this show, but because of the abject failure of anything following season 4, it’ll have to settle for 10th on this list. Seasons 1 through 3 of Game of Thrones is some of the best television I have ever seen, the performances, story, cinematography, music and surprises were revolutionary, it captured the worlds excitement. But seasons 5 through 7 and likely season 8, have ruined this show, now it contradicts itself thematically and places importance of things like linage that are antithetical to the moral of the story. No characters ever die anymore, and half the episodes are just fan service another aspect the beginning of the show intentionally subverted. But we aren’t here to talk about the failings of Game of Thrones, but to highlight the positive aspects of the series and justify its placement here on the list. Game of Thrones, in the beginning, is all about the art of subversion and therefore the show created something fresh. The brave King who conquered the kingdom and overthrew a lasting dynasty, is sad about his lost girlfriend and drinks himself to death. The honourable stereotypical hero is eaten alive by the realistic political tactics of the capital. The beautiful Queen is paranoid constantly and sleeps with her brother, the prince charming esk knight has his fighting arm mutilated, the disgusting looking Dwarf is the best dude, the grand speeches before medieval battles are undercut by realism. Now this inherit freshness isn’t enough to create a successful tv show, but tie that together with all the other grand elements I mentioned, and you have yourself one hell of a story… until they fucked it all up.

  1. Naruto/Naruto Shippuden

Your eyes are not deceiving you, Naruto/Naruto Shippuden is rank higher than Game of Thrones here on the list. Immediately if you’re made and if you’ve been paying attention you should be yelling about me criticising Game of Thrones for contradicting itself thematically when that is maybe just as true of Naruto. Everyone’s pointed this out at this point, Naruto’s inspirational speech to Neji about linage being meaningless only for it to be revealed that Naruto and Sasuke are from a linage of ninja that were destined to battle throughout time. But in defence of Naruto, at least Naruto addresses this in the narrative. When Neji is killed in the great shinobi war his symbolic bird is impaled by the falling spikes as well. This maybe a brief call back, but at least Kishimoto is addressing the battle the two had in the past instead of ignoring it. At least Naruto addresses its contradictions instead of acting like nothing’s changed.

But once again we seem to be getting side-tracked in the negative, instead of justifying its placement here on the list. Naruto, even more than Pokemon to me, is the fictional world I would choose to live in if given the choice. Naruto has the coolest powers in all of fiction to me. Obviously, the hand signs are a genius inclusion, every kid want to emulate these hand signs because forming them, at least in the show, looks cool as fuck. Not only this but the actual fighting techniques are also amazing, my favourite being Minato’s fly risen jutsu, where he teleports around using the indicators. Not only is the world of Naruto captivating but the on goings are great as well, some of my favourite moments in fiction happen in Naruto. They’re were literal moments on my initial viewing where I couldn’t believe my eyes. The slow reveal of Obito being Tobi was unbelievably handled in the anime, I had already been spoiled when I first watched it but the direction of the 10-minute opening stretch in unreal, the music and visuals give the perfect representation of the rise and fall of this character. Later in the best fight in the series between Obito and Kakashi I couldn’t believe my eyes, the stylised combination of their fight as children and their contemporary fight is brilliant, and as the fight builds to the moment were the two cross over you feel the literal weight of their relationship and how much this fight means to the both of them. Overall Naruto has some outstanding moments in its historic run and shouldn’t be underestimated to the extreme it is by series critics. This show means too much to me for it to not be given representation here.

  1. Baccano!

Baccano is stylised madness and the first of two examples on this list of a standout Dub performance making an already great show even better. The dialogue here is intrinsic to my overall enjoyment and even if you here some of those annoying familiar voices throughout the shows cast, the accents and stylisation here bring the show home. (Play Digibro clip) Baccano is famous for its non-linearity, the story is told across three separate timelines that do interact, even if maybe not directly, this complex method of storytelling is not only difficult to understand but even more difficult to pull off to this effective of an extent. Somehow even though on your first viewing you’re not going to fully understand the overall narrative, you still enjoy yourself and find the show thoroughly entertaining. Baccano also is very rewarding to go back and rewatch, I’ve seen the show four times from start to finish and every time I pick up on another extraneous detail. The atmosphere of authentic 1930s New York is the selling point here, when I’m watching Baccano, I’m watching Baccano it feels holey unique and could not be mistaken for any other show. Baccano is a must watch thrill-ride of complexity and action and that lands it a spot on this list.

  1. Attack on Titan

I’m not entirely sure how I feel about Attack on Titan at all. It’s been with me since the beginning, it was my first conscious anime experience and the first manga I decided to follow. I have deep nostalgia for this series and I’m sure that clouds my judgement in some ways but I still with argue the validity of the series’ quality. But the anime is another level of confusion for me, because in some ways it out does the manga and in other ways I much prefer the manga, because of the bombast and over-the-top nature of the anime. But still this anime has some fantastic moments that lend it a spot here on the list. The reveal of the Armoured and Colossal Titans is so well handled in the anime. I get chills whenever I watch that scene, and at this point I have to have seen it at least 20 times, but it never fails to captivate me. Everything about the direction and the music in that moment furthers whatever effectiveness the moment had in the manga. Additionally, some of the action set-pieces are amazing in the anime. Levi’s chase scene from the beginning of season 3 comes to mind as an outstanding piece of animation. The camera work around the 3D manoeuvre gear throughout the series is always of high quality. These outstanding depictions of some of my favourite moments from the Attack on Titan manga earn this adaptation a spot on this list.

  1. Steins; Gate

Steins; Gate at one point in time, I would’ve stood by as unequivocally my favourite tv show of all time, and though my position on the show has wavered as you can see from its positioning here on the list, I still love this show. The characters and the music are the standout elements in this show, Makise Kurisu is one of the most beloved characters in all of anime, or at least she was at a time, and it’s because of the great writing in this show. The different character interactions in this show highlight the powerful writing. Every character talks fluidly, the conversations between them flow, whereas in other anime it feels like two expositional tools blabbing and the visuals are left to show the relations between them. Okabe is a great main character, he’s a socially awkward university student who entertain himself and others through his over-the-top persona and watching him in the slice of life beginning of the series establish relationships with everyone else hold the viewer attention. But when the twist happens in episode 12 and the series takes a turn into darker territory it’s even more fun to watch this over-the-top persona be ripped away piece by piece. This show also shows its strengths in the plot, with an interesting and far more plausible take on time travel and fantastic pacing. Overall Steins; Gate thought I may not love it as much as I once did, remains among my favourites of all time.

  1. Serial Experiments Lain

Serial Experiments Lain is peak experimental media. This show is insane and you’re not going to understand it, and that’s the main conceit, watch the imagery and insanity and try and piece the puzzle together, and rewatches aren’t only encourage but basically mandatory. I’ve only gone through this show two and a half times and I still have no idea what’s going on with the alien. The art and direction are a clear selling points for this show, its breathtaking and inspiring. The artistic flair you’ll likely first notice is the weird pattern in all the shadows, and it’s tantalising. Enjoy trying to figure out what that symbolises over your journey. Now a show like this that’s incredibly experimental and trippy in nature benefits heavily by its short length, if this show were much longer it might be too overbearing. But the concise 13 episodes leans perfectly into the shows watchability. This shows other worthy claim to fame is its phenomenal understanding of what the internet was both like in 1998 and has continued to be to this day. The show understands how internet culture has developed, the super-hacker group, the knights are all very different people living very different lives, showing the grand nature of the internet and how it brings people together. The show understood meme culture and how a stupid, clever saying can become incredibly popular with some audio manipulation. The show was so clever in creating an in-universe meme in the ‘Let’s All Love Lain’ chant that it transcended the universe within the show and has become a meme in real life. This show is a late 1990s commentary on internet culture and somehow because of the cleverness of the writers remains completely relevant today.

  1. Cowboy Bebop

Cowboy Bebop and I have an interesting relationship. If you check out the backlog of my channel some of my earliest videos are about my initial reactions to Cowboy Bebop as a series and it’s interesting to see me go from liking only certain episodes and hating the episodic nature of the show to loving every second of what I consider now to be a masterpiece. Cowboy Bebop is exceptional in all categories, its tone and atmosphere are unique and flexible, Cowboy Bebop doesn’t feel like anything else even though it homages so much content and it’s different nearly every episode. The character, even though I still don’t particularly care for Spike, are meaningful depictions. Faye is my favourite in the entire show, watching here best scenes is unimaginably tragic, from the shower scene where she remembers everything, to the Call Me scene as she running to her old ruined home, to the Go Me scene, to her final scene where she begs Spike to stay, are all fantastically tragic. Everybody in Cowboy Bebop is a realised person with depth, and it’s all derived from the final quote at the end of the show, everyone is carrying excess baggage. Everyone has a sad story behind them. And the tragedy of that and the beauty in that reality is why Cowboy Bebop stands out as a medium defining series, one deserving of a high placement on this list.

  1. Neon Genesis Evangelion

Neon Genesis Evangelion is the most influential anime of all time, for great reason this show is palpable. You vicarial feel this show and the struggle of the characters within it. This show through all the mech elements and anime trappings is an in-depth, psychological character study of predominantly 5 characters, the three-iconic child mech pilots; Shinji, Asuka and Rei as well as Misato and to a lesser extent Ryosuke. These characters and their interactions and relationships with each other are the driving force behind this show, in the movies Shinji’s relationship with these people is the only reason the world doesn’t end. Evangelion thematically is about the struggle to make meaningful human connections and it’s not necessarily a happy one, by the end of the series all the characters are divided up, having failed each other. Misato is distraught over Kagi’s death, Asuka has lost her purpose in life when she realises she isn’t the best pilot, Rei was reset again and has to deal with her repeated existentialism and Ryosuke feels like she been taken advantage of and has ruined her relationship with nerve by leaking information. That leaves Shinji alone and with no connection. But how these characters slowly got to that point and how they come out of their individual depressions is the appeal of the show. As well as all this deep character writing and the shows interesting themes; the show also has stellar direction, but you can find countless of videos on the internet to explain that to you. Overall Neon Genesis Evangelion is another medium defining series, that deserves this ranking.

  1. Black Lagoon

Black Lagoon is my favourite anime of all time, and I will never backdown from this position. While Serial Experiments Lain, Cowboy Bebop and Neon Genesis Evangelion have things to say about humanity and the human experience overall, Black Lagoon’s story is much more person. It’s about two people and how they affect each other’s incredibly different lives. Rock and Revy are the driving force behind Black Lagoon, they are together the main character. Their relationship goes through phases and each one of them is equally as interesting. Initially they dislike each other because they are opposites, but through the famous cigarette kiss scene we begin to understand that opposites definitely do attract and then they’re on the same page. But then something interesting happens, Revy notices that Rock is losing himself to the city, Roanapur and the underbelly lifestyle is eating Rock alive and secretly he loves it, but Revy always saw Rock as her lifeline out of this hell-scape, so throughout the arc in Japan and mostly in Roberta’s Blood Trail Revy desperately fights to keep Rock for the darkness and this struggle is the highlight of this show to me. The scene where Yukio impales herself with the sword stands out as the biggest literal exploration of this struggle in the series, Revy pleads with Rock desperately to turn away, but he doesn’t, because secretly he loves the thrill. I could and in the future will go into far more depth regarding the relationship here between the two of these characters, but this isn’t even the best part of Black Lagoon the performances are. The dialogue for this show was completely rewritten for the Dub and it shows, couple that with the excellent performance from Revy VA and this show easily has the best dialogue in anime. Black Lagoon is so unbelievably great and is easily my favourite anime of all time.

  1. The Sopranos

The Sopranos is a sprawling, lasting experience, with a rich cast of character, interesting themes and houses some of the best performances in TV history. The Sopranos like Neon Genesis Evangelion is revolutionary, I highlighted this in a separate video you can find in the description. The anti-hero television craze is derived entirely from The Sopranos and the titular character Tony Soprano. None of these other anti-hero protagonists would exist if Tony wasn’t as captivating as he has. Tony is the deepest character I’ve ever come across. The Sopranos is a long show it’s 6 seasons and spans over 70 hours and Tony is explored as a character you it’s entire runtime. We learn everything about this character throughout the series through his introspective therapy sessions with Dr Melfei and his elaborate dream sequences, that are marvels in cinematography as well as tension. The Sopranos’ strength lay in the heart of its characters, the characters and their interactions through the fantastically written dialogue are what draw the viewer in here, this results in countless impeccable scene throughout the show. To list some of my favourites: when Junior Soprano sings at Jackie Jr’s funeral, to Christopher’s out-of-nowhere death, to Pussy’s death on the boat, to Silvio and Tony’s conversation about heritage, to Meadow’s exposure of Carmella, to Carmella and Tony’s visceral breakup, to Carmella’s philosophical awakening in France, to Richie’s death, to anything with Tony Blundetto, to anything in that unrivalled final episode, this series is too good. The Sopranos is required reading and if you haven’t seen it yet do yourself and the world a favour and get on that. The Sopranos is undoubtedly my favourite television show of all time.

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Media Consumption Month #2 (September 2018)

Welcome to the second month of my media consumption diary, were I briefly vent about all the media I’ve consumed in the previous month including, films, video games, tv shows, anime and manga. Look for a heading you’re interested in and have fun…

Attack on Titan Season 3:

Attack on Titan Season 3 has continued with its break-neck speed and has already concluded adapting the Uprising Arc, in only 10 episodes. Overall, it was all fine and dandy, nothing made me mad and the Kenny backstory episode, which is the highlight of the arc, was handled appropriately. I’m entirely satisfied by this adaptation and even further impressed with its continued coordination with the manga (See my article of chapter 109 of Attack on Titan for further details on that aspect). Since I am a manga reader there isn’t much for me to speculate about, but I am interested to see how they stretch the following arc across 15 episodes when I think the material is only enough for 8-10 more episodes. We will have to play patient fellas with Attack on Titan Season 3 and you’ll have to wait until next month for an update.

 

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My Hero Academia Season 3:

My Hero Academia Season 3 has concluded, Season 4 is already confirmed, in case anyone somehow was still questioning that fact. Last time I made one of these I wasn’t too high on the boring exam we were in the middle of, but I can proudly state that by the end of the season the show had entirely won me back, largely because of Episode 24. This episode hit every quota for my personal enjoyment of My Hero Academia. It was nearly entirely focus on the villains and character interactions, my two standout wants from My Hero. The opening segment that focused on a mysterious, yet interestingly introspective man was truly entertaining and when later he was revealed to be Twice, gave that character some much needed depth. It engaged me with a forgettable comic relief character and reintroduced him as a tragic introspective villain. The plot further grew in that episode with the introduction of Overhaul, a new villain with a signature look. Now I’m unfamiliar with the manga for My Hero but I have seen these ‘Peak boys’ around the internet and I like their aesthetic, so I’m interested to see his role in things moving forward. However, I’m currently internally debating if I should wait for Season 4 or just go ahead and read the source material.

 

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Steins; Gate 0:

I saw someone literally decapitated in Steins; Gate 0, and asked myself, ‘what the fuck is going on?’ The narrative surrounding Steins; Gate 0 remains unchanged, I believe this is a show unsuitable for weekly consumption and binge watching it is the only way to properly understand the series. But I’ll continue to watch as it is Dubbed weekly and then once it is all realised I’ll re-watch it all from the beginning and revaluate my opinions. In the meantime, I would like to further empathise my hatred for Kaguri and uneasy feeling about a superhero decapitating someone in a Steins; Gate related show, it was quite disconnecting from the usually grounded nature of the series.

 

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Vinland Saga:

Vinland Saga continues to impress and has maintained my interest through a drastic genre change. There are no more battles in Vinland Saga, if you came into this series excepting an action series, you haven’t been paying attention and its likely this series will lose you at this point. It seems like the message of Vinland Saga is absolute pacifism. Vinland Saga is seemingly about Thorfinn learning what it means to be a true warrior, meaning laying down you weapons.  This is thematically presented to him by his father and by Askeladd in his recent dream/nightmare adventures, that he’s be having every night but not remembering. It is exposited to him that it’s never ok to strike another human being, by his father and Askeladd presents the horrors of Valhalla to Thorfinn and how he’s managing to escape this hell through his recent lack of murder.

 

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To explain to those uninitiated for the first 50 chapters Vinland Saga is a clearly Berserk inspired manga about the horrific nature of medieval society and war. A scene that cannot stop thinking about, that incapsulates the tonal dark nature of these initial 50 chapters is where the band of Vikings Askeladd leads, and Thorfinn is a part of, is staying in a small village and are running roughshod over the area. And in this commotion, there is a moment of reflection from the typically empathy-less Thorfinn for a young girl who is tied up with her clothes ripped off, clearly about to be raped by his Viking comrades. Now it is important to point out that Thorfinn is only comrades with these people out of hatred and the Askeladd despises all of them, so they aren’t horrible people for surrounding themselves with the people in this situation, they both secretly hate them all. But the effectiveness of this scene is in the implication of what’s happening, and the desperation mixed with acceptance in the girl’s eyes. It’s a hauntingly effective scene that demonstrates the brutality of the world of Vinland Saga and now, the series has become about humble farmers, and SOMEHOW it works incredibly. We have collectively transformed the tone from that to a farming show about the horrors and struggle of slavery and directionless life. I stopped after finishing chapter 72 and can’t wait to see how the story further progresses with the new cool characters like Snake, Einar, Arneis and the old master of the farm. Vinland Saga is great!

 

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Devilman:

My continuation with Devilman has been significantly affected by Vinland Saga, whenever I decide to spend time reading a manga I’ve always opted to read Vinland Saga. I’m still extremely early in the Devilman manga, Akira is still yet to become Devilman. The set-up of the series is much more expositional in the manga, Rio is just dumping plot details on the audience and Akira. In Crybaby I remember just being thrust into a night club, sex party and then suddenly we had ourselves a spooky Devilman. I don’t know which alternative method is better but there’s got to be a happy medium that limits the lazy exposition but doesn’t assault the reader with imagery. I hope to further understand Devilman by the time I return to you next month.

 

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Cowboy Bebop:

I’m still slowly forcing my way through Cowboy Bebop, and it’s your fault… I don’t what to continue, I’m over this episodic boring nonsense, but I have to be able to say I’ve watched it to appease you people. I’m watched up to episode 15, and I still don’t care about these characters, Spike is still uninteresting, and I maintain that his backstory and everything in reference to Vicious should have been left in Episode 5, the only good episode of this series so far. Faye is still the hottest anime bitch I’ve ever seen, but I don’t care about her, Jet is the same and Edward is funny. Episodic shows just remind me that I’m wasting my time watching and I don’t like to have my wastefulness reaffirmed by the media I’m consuming. Tune in next month to see if I have turned around on Cowboy Bebop and maybe had a revelation about this series’ supposed brilliance.

 

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Serial Experiment Lain:

I have a very weird way of consuming new media that makes it impossible for me to form an intelligent opinion on anything during my first viewing. I subconsciously must have known it for a while but now I’m consciously aware of my deficiency. It takes something incredibly straightforward for me to evaluate everything on a first viewing and Serial Experiments Lain is definitively not a straightforward show. So, as I was slowly digesting this show, sort of disinterested, I knew that it would immediately become one of my favourite shows after I’d finished it and reflected on it slightly. I don’t know what it is about me that hates nearly everything on the first time; I’m constantly looking around, not paying attention and secretly hating myself because it feels like I’m stationary in a seat wasting my time. However, re-watching anything is much easier and way more enjoyable to me. I didn’t like the Godfather until I quickly re-watched it a few days later; I didn’t like Evangelion until I thought about it over the following few days. It must be me understanding what I’m getting into before watching the re-watch that puts me at ease and allows me to enjoy the experience, maybe it’s about understanding.

 

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Serial Experiments Lain as insane as it is awesome and I’m in love with it. The aesthetic is an instant giveaway that this show is outwardly interesting, Lain’s character design is near perfection, she’s incredibly cute and endearing and when her appearance is slightly manipulated, her character design is also near perfect as a malicious psychopath. The opening is already downloaded on my phone, what a fitting song, I love that it mocks the audience (intentionally or unintentionally). The first line just rubs in that the abstractness of this show is flying immediately over your head, “And you don’t seem to understand”. The shows ability to understand what would become popular internet culture is astounding. The wired takes over people’s lives and integrates itself into the real world, just as the internet has become another layer of our contemporary world. The VR headset prediction was also impressive and it’s incredible that the show introduces the idea of ‘memes,’ creates a ‘meme’ within the world of the show in, “Let’s all love Lain,” and then for that to become a widespread ‘meme’ in our reality is some legit metatextual shit. This show is fantastic, already one of my favourites and I’m currently going back through it in the Sub because this is going to take a while to fully understand and comprehend.

 

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RahXephon:

RahXephon is one hell of a fun ride, but I don’t know how much RahXephon itself contributes to my interest level. My interest in this show is somewhat predicated on the fact that it is basically a retelling of Neon Genesis Evangelion, and I love to identify the similarities and differences between the two shows and see how RahXephon decides to alter the story idiosyncratically. So, in that statement am I praising RahXephon or Neon Genesis Evangelion? I don’t know, but I am enjoying my time with this show nonetheless; the imagery is fun the symbols are being set-up and I’m fascinated by the characters. The winey elements that are prevalent in Shinji but weren’t as evident in our main character in RahXephon, have started to become apparent in recent episodes. I left off on Episode 5, they introduced all the soldiers outside of Tokyo Jupiter, a neat homage to Tokyo 3. The Pink haired girl seems interesting, Misato’s counterpart seems interesting and may or may not be hooking up with that girl fighter pilot that was introduced, and the mysterious Rei girl is interesting. I like how our main character and our Rei interact differently in this show, they actually talk and relate to each other for a scene or two, nearly immediately, whereas Rei and Shinji took episodes to come to an understanding and then Rei just got reset and we had to start all over again. RahXephon is at the top of my list for things I’m interested in continuing in the coming month.

 

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Vision of Escaflowne:

Sadly, because of my overbearing focus on Serial Experiments Lain for most of the month, and my last-minute fling with RahXephon, I haven’t followed up with anymore Escaflowne. Interestingly enough, last month I was most interested in continuing Escaflowne, but because of the appealing short length of Lain and its overall density, Escaflowne was sadly left on the back burner. I still have every intention of continuing my journey with this show and will hopefully have more for you next month.

Revolutionary Girl Utena:

Unfortunately, Revolutionary Girl Utena has fallen into similar trappings as Vision of Escaflowne, and I have come to you a month later with no progression. The difference is I’m entirely unmotivated to continue Utena, I will because I always force myself to do things, but that first debacle of a Dubbed Episode 1 fucked me up. I have at least some faith that the show will increase in quality going forward and that the Sub will pick up the slack of that nightmarish Dubbing job I was exposed to.

B Geta H Kei:

The show is among the greatest pieces of art ever created. It’s so endearing and so sweet but it’s all wrapped in a hilarious sexual outer layer. Yamada is the best female character in amine, she’s clearly written by a writers-room of men projecting their fantasy perfect female personality onto the attractive anime girl, but that’s entirely what their target audience wants so it works perfectly. The conceit of the series is fantastic, a girl with the goal of sleeping with 100 high school boys over her high school career, but by the end wasn’t even gone all the way with a single dude but, has instead fallen for one dude. The only negative here is that Cosuda is a boring audience surrogate who could have been much more interesting or dynamic. But the endearing ending is entirely satisfying to the audience even though she has entirely failed on her initial goal, because in the end it wasn’t about the destination, it’s about the journey.

 

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But last time I talked about the sensation of ‘forgotten nostalgia’ and how it related to my experience with this show immensely. This was true for the entire re-watch, up until the end I had an overwhelming nostalgic experience that has definitely clouded my judgement when it comes to this series. I would like to delve deeper into this nostalgic overwhelming experience and this show at a later date and leave you with these thoughts for now… It’s fantastic.

Final Fantasy 2: (PS1)

My struggle with Final Fantasy 2 is finally over with. It was a lengthy journey of constant starts and stops but finally I’ve conquered the JRPG behemoth. It took me 29 recorded hours to beat the main story of Final Fantasy 2, (I wouldn’t dare attempt a 100% run) and likely 40+ actual hours, because in this game dying means your kicked back to menu and all your unsaved progress is gone and not recorded in the timer. I took a massive break throughout this playthrough, I’m talking months between sessions and by the end I was dying for it to be over. I did a very similar thing when I played through Final Fantasy 1 and wonder if this will be a reoccurring theme as I delve into longer JRPG experiences as we progress through this series. I found the infamous levelling system of this game very hit and miss, I think that’s the common consensus. In reality it ended up working similarly enough to a normal levelling system, that it didn’t bother me enough to widely detract from the experience. The villain was much cooler in Final Fantasy 2, taking over hell is pretty cool, then coming back to Earth more powerful to fuck over the people that sent you there, is cooler and that’s what the Emperor does in this game. That being said, I think I will more fondly look back upon my experience with the first Final Fantasy. I don’t regret my time spent with this game but it’s certainly not an experience I would lookback upon with thirst. But the workload never ends and now it’s time to move forward to Final Fantasy 3, exclusively for the Nintendo DS! (YAY)

 

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Final Fantasy 3:

I’ve played literally 5 minutes of Final Fantasy 3. All I can tell you is the art style is already annoying me and I will have more for you next month.

Octopath Traveller:

Last time we spoke I had barely started Octopath Traveller, but now that I have put a few more hours into the game I’m enjoying myself and have become quite engaged in the experience. I mentioned last time that I choose Therion as my first path, but in my opinion, it took far too long, nearly a full hour of gameplay, to enter any combat. The story writing in this game so far is entirely uninteresting, so this long stretch without any gameplay was boring me to death. The same issue interfered with the pacing and my enjoyment later when I had to sit through H’aanit’s storyline. However, I loved the non-linearity of the game; I could have gone north or south after completing chapter 1 of Therion’s story and visited any of the other characters. Both the dry mountain and lush forest area’s I’ve journeyed through so far, have been dynamic and interesting, but I’m thirsting for a proper dungeon. Additionally, Therion levelled up 10 levels from one battle when I effortlessly killed a supposedly high-level enemy, all while I was barely paying attention; that was cool. I will report back in a month with hopefully quite a bit more progression and with a lot more to talk about.

 

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NJPW Destruction Tour:

There wasn’t anything that catered to my specific interests on this tour, the Tomohiro Ishii vs Kenny Omega match was quite predictable, even if I hoped beyond hope that he would win, I and everyone else knew the outcome of this match. Naito vs Suzuki has been done to death at this point, and the final night didn’t get interesting until after the main event was over. I had no stakes in the Okada vs Tanahashi match, my interest level in them is equal, so I watched this match half paying attention and without a horse in the race. But the most important talking point retrospectively from this tour is the big Jay White and Gedo turn on Okada after the Okada vs Tanahashi match. It was a brilliant swerve that I was kicking myself for not seeing coming. New Japan isn’t fucking around when it comes to Jay White, he’s young, has the character and charisma to carry a main event program and so I’m eagerly anticipating the direction they go with him and Gedo moving into Wrestle Kingdom 13 and beyond.

 

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Hell in a Cell 2018:

Boring! I liked absolutely nothing on this show besides the result in the SmackDown Woman’s Championship match. Becky Lynch won the championship just like I told you she would last month, because after all only heels are successful in WWE contemporaneously. Besides that, I have no understanding of why the praise for this show has been so universal. Ronda Rousey sold for Alexa Bliss for 10 minutes for some reason. Fuck the tag title match, I will never care about Dolph Ziggler again, you’ve burnt that bridge WWE, and Seth Rollins and Dean Ambrose are currently uninteresting and directionless. The only wrestler I care about in this match is Drew McIntyre. Why was the main event of this show McIntyre against Reigns? Both Hell in a Cell matches was forgettable and drawn-out bore fests. AJ and Joe had another disappointing match, AJ’s 20th disappointing match of the year, and their feud was unnecessarily propagated by a finish that made both look like morons. And I didn’t even pay attention to the mix tag match, give me a fucking break.

 

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Mae Young Classic 2:

I’m liking the second annual Mae Young Classic a whole lot. I don’t like Rhea Ripley’s new gimmick, she’s a national relative of mine coming from Australia, but her persona feels like she’s playing the bad guy. She can’t quite sell the authenticity of her character and that’s largely the issue with everybody in this tournament, with only one standout exception. Even the other home-country girl Toni Storm is overly goofy and a bit cringy in her interviews, it still seems like she’s playing an unconvincing character she doesn’t quite believe in. But Io Shari is the obvious aforementioned notable exception. She looked like the superstar she absolutely is in her first-round match with Xia Brookside, who also has the makings of a superstar. She demonstrated in this solitary match that she and Sasha deserve to Main Event WrestleMania before Ronda and Charlotte even begin to sniff it. Io Shari is one of the greatest wrestlers in the world and her intensity and charisma were on display in this match. I can’t wait to see her other matches in this tournament. Other names that stood out and impressed me, were Xia Brookside, who I already went over, and Killer Kelly who I’m interested to see develop on the NXT UK brand. I thought she excelled in her first-round match. I’ve spoiled myself on both the Mae Young Classic finals and the inaugural United Kingdom Woman’s championship tournament, and I’m exceedingly happy for my Australian girls and feel deeply sorry the main roster girls that are going to have to compete with the finals of this tournament on the Evolution card, because that final is going to be outstanding.

 

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Pokémon Emerald:

I peered over to my DS Lite and saw the cartridge of a threequarters-completed Pokémon Emerald game and then suddenly I was playing it again. I have long pronounced this game (and gen 3) as my favourite in the Pokémon series, with secretly never having actually completed a playthrough of Pokémon Emerald, only having completed playthroughs of Ruby and Sapphire. So, it was in my ideological best interest to finally finish this game of this save file I started sometime earlier this year. And let me say I’m the greatest Pokémon team creator of all time because this team is fun as fuck. Sceptile, Claydol, Camerupt, Crawdaunt, Exploud and Armaldo is fucking menacing team and every time I open up my party in the menu screen I’m rewarded with a glimpse of a satisfying group of captivating monsters ready to fuck shit up. While I was traversing the back half of this game I was reminded that I’m absolutely correct and these are the standout games in the franchise. The unique ways that water routes are crafted in this game is insane, it justifiably has the best water environments in any Pokémon game. The pulling currents puzzle, the diving puzzles, the waterfall inclusions and the variation in scenery with the rocks in certain areas, these are all elements integrated satisfyingly into this game. This game is the best what else can I say.

 

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Pokémon Colosseum:

I got an itch and found myself for the 5th or 6th time, playing through Pokémon Colosseum, and after I finish it I’m planning on revisiting its sequel: Pokémon XD: Gale of Darkness, for the 5th or 6th time. I’m continuously drawn back to these games, I get an itch every few months to go back to them; at this point they’re easily the Pokémon games I’ve played through the most time. To be fair they are also the shortest traditional Pokémon adventures and therefore 5 or 6 playthroughs of them isn’t as impressive as it may sound. Very superficial elements can draw me to any piece of media and the two superficial elements I can identify about these particular games, that keep drawing me back are, the battle interface’s aesthetic and having a team of large scale monsters rendered and realised in 3D console glory. I love both these aspects about both these games and it’s the reason I come back to them constantly, I’ll just think of having Aggron and Tyranitar back to back on my side of the battle, while traversing a sleek and smooth battle UI.

 

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Attack on Titan… Underrated? (Manga Spoilers!)

Attack on Titan has achieved astronomical success since it 2013 anime adaptation, so the claim that it is somehow underrated would seem dismissible but, I believe Attack on Titan is not given the recognition for its best elements. Attack on Titan is at its core a mystery series, disguised as a flesh-mech action, political thriller. The mystery elements and the nuance in its execution and the thoroughness of the authors attention to detail isn’t discussed as prevalently as it should be. Hajime Isayama has laid this story out phenomenally, I am constantly caught off guard by the call backs and intricate details that I only notice as a hardcore fan. The real strengths of the show go unrecognised and the not so great parts are overblown and overrate the show, because people are hyped up idiots.

 

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Attack on Titan is widely praised for elements like frequent deaths and heart-stopping action, but what it truly excels at is its set-up, mystery, call-backs and subversion of reveals. For instance: that random girl that Mikasa saves in episode 6 that was animated in 2013 and written even further back than that was reintroduced into the story last month (September 2018). That’s insane and the pay-off for me, someone who pays this series my absolute attention, was enormous, I was rewarded for my nearly obsessive interest in the series and shows that Isayama cares about his audience’s intelligence. There are countless other examples of definitive background characters that are reintroduced and given incredibly important roles. Historia is the most obvious example, a character that was virtually non-existent in Season 1 but is now a focal main character in Season 3. That random girl that Sasha saves from Connie fathers titan (another idiosyncratic recently revealed piece of information) is now a fully-fledge important character contemporarily in the manga. This coordination requires insane forethought and careful planning on Isayama’s part.

 

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Isayama’s ability to reference his most early material and reward his audience’s attention is only personified further with the handling of the reveals. Attack on Titan has no dramatic reveals, intentionally. Instead of bombastic expositional dumps, Isayama (usually) subtly drip-feeds information to his audience and allows them to slowly put it together. By the time Annie is revealed as the Female Titan, the audience likely has already connected the dots, the same for the Armoured and Colossal Titan. The subtle reveal that they were indeed the shifters was communicated through the background, its simple juxtaposition but also fits the thematic elements of Isayama’s leading strategies. Even the reveal in the basement was assumed by most fans before the big reveal; the Beast Titan was making references to baseball calls and Reiner and Berthold had to come from some other community, but these reveals are always satisfying. Isayama isn’t insulting his audience so the ‘grand’ reveals feel like natural extension of the story he’s crafted.

 

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These lesser praised aspects of Attack on Titan are what’s underrated by the wider community, while the less impressive elements are overpraised because people are stupid and don’t delve past the window dressing. Ultimately, I hope to see wider discussion about the truly impressive elements of Isayama’s mystery writing and call-back rather than the anime’s action. That’s why Attack on Titan is underrated.

 

 

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Why is Kissanime a Better Service than All the Legal Anime Streaming Platforms

The obvious answer to the titular question is that Kissanime has literally every anime I’ve ever been interested in watching within its catalogue, and more importantly it’s entirely free. But these elements aren’t the ones I want to highlight here, rather I want to highlight what Kissanime does that should be easy for alternatives like Chrunchyroll and Funimation to implement, but for some reason don’t. These complaints will be reasonable and available to fix for these pre-existing platforms. Obviously, they can’t give free access and have the ultimate anime selection like Kissanime, due to pesky streaming rights. Disclaimer before we delve to deep; fuck the anime industry, in fact fuck every industry in existence, I don’t want to hear your preachy narrative about supporting the industry because you heard some bought and paid for pundit’s talking points. You shouldn’t feel obliged to support any industry ever, but only creators you respect and are willing to compensate for their work. If they can’t supply a way for us to compensate them reasonably the fuck em, sometimes the baby has to go out with the bathwater.

 

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There are two main aspects that Kissanime’s website excels at, far better than the paying alternatives do, the simplistic layout of the site and the ease of use of its various video players. Every anime is easily accessible on Kissanime because the search feature actually works, and the interface is effective. There is a random button, a list of recently realised shows and a most popular list, all immediately available on the home page. Additionally, you can hoover over the title of an anime you’re interested in and a display image pops up as well as a brief description. Then if you click on the anime you are taken directly to the page that has all the episodes listed. This is different to the alternatives because there is no exasperated bullshit. You don’t have to jump through hopes or transverse over-designed interfaces, it just works simply and effectively. YouTube clearly has the best video player in existence but the terrible video player on the legal anime websites make Kissanime’s look like YouTube’s. Funimation’s video player constantly fucks itself and then when you refresh its fucked all over again and you have to sit through further adds. When I had the choice between binging My Hero Academia for free when it was available on both Funimation and Kissanime, I tried desperately to watch it legally, but it kept fucking me repeatedly and it wasn’t worth it, so I had to switch to the superior alternative.

 

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These platforms are unacceptably bad at existing and it’s shameful when a dodgy site run on Russian servers can put forward a more user-friendly experience when compared to you. At least when anime fans had to buy physical media it was all easily available from the disc and I didn’t have to get repeatedly fucked…

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Puck Became a Joke and That’s Fine

Puck never lost his importance to the story of Berserk. Everyone is mad at Miura because he supposedly ruined Puck by giving him the comedic relief hat to wear following Conviction. This viewpoint is flawed for two reasons; Puck was always comedic relief and is still important to the plot, he just isn’t being focused upon or developed contemporarily. I’m sure Miura will develop Puck more in the future. His role has become increasingly comically related as of late, but he still has serious moments and observations from time to time. He was focused upon plenty in the Black Swordsmen and Conviction arcs because he was Guts’ only travelling companion, but in the arcs since them Miura has spent establishing the 30+ other characters that were important to the story. From Farnese to Mule and from Zodd to Silat. Puck became a joke and that’s fine because it’s funny and it’s temporary.

 

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Puck in the Black Swordsmen arc served as our guide to this brand new and equally confusing and dark world. Puck was a newcomer to Guts and the world of Berserk just like us, he was a great parallel to the viewer and served as prime juxtaposition to Guts while he was at his worst. Puck served a seminal narrative reason in those early Berserk chapters and his sympathy for Vargas and disdain for Guts’ unruly behaviour endeared him to us. In the Lost Children chapters Puck further was endeared to the audience and eventually after he and Guts acknowledged each other as mutual, worthy travelling companions, and embraced others like Farnese, Serpico, Isidro and Schierke, those characters took the spotlight. Puck was just along for the ride. So, Miura, to keep Puck around as a relevant character, created the “Chestnut Puck” persona.

 

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But the criticism for Chestnut Puck further doesn’t make sense because Chestnut Puck is (objectively): best Puck. He’s hilarious, his chemistry with Isidro and Ivalera are off the charts and watching them interact gives me the finest of joys in my terrible existence. Additionally, his gimmick of believing the story revolves around him, along with the scenario of him and Magnifico trying to overthrow the Elfhelm system was also hilarious. So, don’t shit talk Chestnut Puck, he’s fucking great and in the future Miura will give him serious moments and make you the happiest boys in all the land. Puck’s a funny boy, leave him alone…

 

 

 

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Black Lagoon is Cooler than Cowboy Bebop

“Cowboy Bebop is fucking boring;” is how I described Cowboy Bebop in my media consumption monthly retrospective for august (that you can find in the header menu). I believe that description maintains its accuracy. Black Lagoon is an easy comparison to Cowboy Bebop, both have crews of four, Jet and Dutch are clear parallels and Edward and Benny fit the same purpose, Rock doesn’t have a parallel and Revy is a combination of what Spike and Faye wish they were. Revy might be the greatest anime character of all time (I didn’t stutter), she definitely wins the award for the greatest Dub performance in anime history, at least. She is a character often slept on because Black Lagoon is often slept on as a fun and exciting action show, when in reality it’s so much more. But that isn’t what we are here to quantify today, I said Black Lagoon is cooler than Cowboy Bebop.

 

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Cowboy Bebop is cowardly, there’s not nearly enough fucks in the show for it to be as cool as Black Lagoon. FYI I’m talking about the Dubs for both these shows because they are all that matter in this case. Black Lagoon’s Dub is better than Cowboy Bebops specifically because of the swearing. There ain’t no pussy shit in Black Lagoon; Revy literally tells a mobster that his breathe smells like he’s being sucking cock, in those exact words! Not only is the dialogue better and cooler in Black Lagoon but the characters are better, and the weight they carry is weighs more. Revy is a better character than anyone in Cowboy Bebop including Spike. I think Spike’s pretty fucking lame, he isn’t as funny as Revy, he isn’t more relatable than Revy, Revy’s more of a bad motherfucker than Spike, and she’s got Faye’s sex appeal to boot. Objectively this is true…

 

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Obviously, some of this script is written in jest, but I stand by the clickbait in the title and am underwhelmed by the overall praise for my favourite anime, Black Lagoon. Ultimately, I hope those of you reading this who haven’t immediately weaponised against me for shitting on Cowboy Bebop, will re-watch Black Lagoon or watch it for the first time if you haven’t seen it before, in the Dub of course, and appreciate the expert dialogue and scripting for a translated artwork. This is the best anime dialogue has ever sounded and is the best it’ll likely ever sound, so please, praise it like it deserves.